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FAQs and Additional Opportunities

Frequently Asked Questions

Is there a MA program?

The PHD program is the only one that is fully funded. An MA is earned on track to the PHD.

Do you require the GRE?

We do not require the GRE to apply for the graduate program.

Is there a separate application for funding?

No.

What kind of writing sample should I send?

We are looking for a sample of scholarly writing, on any subject, of sufficient length to demonstrate your ability to develop an idea thoroughly (typically 5-20 pages).

How do I know if my work would be a good fit in the department?

In general, the best way to get a sense of whether the work you are interested in pursuing might resonate with the work of the department is to learn about our faculty and their published research, as well as current student’s research and/or creative practices and teaching areas. Presently, the core performance studies graduate faculty consist of Bimbola Akinbola, Dotun Ayobade, Lori Barcliffe Baptista, Joshua Chambers-Letson, Thomas DeFrantz, Nadine George Graves, Marcela A. Fuentes, Natsu Onoda Power, Shayna Silverstein, and Mary Zimmerman. Other affiliated faculty and our students are listed on our website.

Do I apply to work with specific faculty?

Applicants apply directly to the program, and not to individual faculty, though it’s always good to have in mind multiple faculty members with whom you could imagine yourself working. Matches with doctoral advisors typically occur at the end of the first or second year of study.

What other elements are you looking for in an application?

Among our top considerations when reviewing applications are the following:  We’re interested in what qualities and experiences students have that have prepared them for graduate study in the field of performance studies. We also want to know if the prospective student can provide an idea of what they intend to study in graduate school and the specific research questions they can see animating their progress through the program. Can they articulate their understanding of the field of performance studies (and performance studies at Northwestern), while showing how the field (and department) is the right place to undertake their course of study? We also look to see if the prospective student’s interests resonate with multiple faculty across the department and university, to know if we can collectively support the student’s areas of research interest. The best way to forward one’s candidacy is to submit materials that holistically demonstrate answers to such questions. Writing samples should demonstrates the applicant’s capacities as a writer and researcher with an aptitude for scholarly form and innovating thinking. Letters of recommendation are most helpful to us when they come from people who can assess the candidate’s qualifications for graduate study and scholarly research, making professors, teachers, and mentors (past and present) ideal references.

Whom should I contact with additional questions?

Shayna Silverstein
Director of Graduate Studies; Assistant Professor
shayna.silverstein@northwestern.edu

 

Additional Opportunities

For Performing + Directing

There are a number of opportunities for Graduate Students to build and/or maintain an artistic practice, including such activities as performing, directing, and dramaturgy. 

Students wishing performance opportunities of an extracurricular nature are able to audition for any productions taking place on campus, including those produced by the Performance Studies or Theatre Departments or those produced independently. Students have participated in Wirtz Center Productions, such as Danceworks as performers, choreographers, and dramaturgs. 

Students may also petition to produce a departmental performance hour.

Danceworks 2025

Graduate Student, Olabanke Goriola, and Professor Melissa Blanco Borelli in City of Others, a piece choreographed by the 2025 Alice Kaplan Artist in Residence, Rafael Palacios, director of Sankofa Danzafro. 

Honeypot

PhD Student, Marsae Mitchell as choreographer for Honeypot: Black Southern Women Who Love Women. Written by Dean E. Patrick Johnson, adapted by Professor Emerita D. Soyini Madison. 

Danceworks 2024

“Choreographing for Danceworks provided opportunities to collaborate with incredible MFA students, undergraduate dance majors, and my fellow PhD students as we thought collectively about what dance can do.” 

Michael Landez

Working with Prof Mary Zimmerman @ The Goodman Theatre

“Dr. Zimmerman often invites students from the Performance Studies department to participate in her directorial process at several local and professional theaters. Not only do students get to experience her style and magic up close in the rehearsal room, but they also have the opportunity to network with many other theater professionals.” 

Toni Kunst